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The Burning •
El Pasatiempo •
Las Fiestas •
Legacies •
Kiwanis History
Zozobra is a hideous but harmless fifty-foot bogeyman marionette. He is a toothless, empty-headed facade. He has no guts and doesn't have a leg to stand on. He is full of sound and fury, signifying nothing. He never wins. He moans and groans, rolls his eyes and twists his head. His mouth gapes and chomps. His arms flail about in frustration. Every year we do him in. We string him up and burn him down in ablaze of fireworks. At last, he is gone, taking with him all our troubles for another whole year. Santa Fe celebrates another victory. Viva la Fiesta! - A.W. Denninger
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Fiesta has been celebrated in Santa Fe since 1712 by proclamation of the then-governor of the province Jose Chacon Medina Salazar y Villaseor, the marquis of Penuela. It is the oldest civic celebration of its kind in North America. ZOZOBRA, which has gone up in flames every year since Will Shuster created it in 1924, became one of the symbols of the city, a potent reminder of the madcap celebrations of those times and one artist's generous dedication to his adopted home. |
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| The Zozobra event is staged each year by the Kiwanis Club of Santa Fe as a fiery and exciting kick-off to the annual Fiestas de Santa Fe during the weekend following Labor Day.
Although the Fiestas celebration dates back to 1712, renowned Santa Fe artist Will Shuster added Zozobra in 1924. Kiwanis became officially involved in 1963. Shuster assigned all rights, title and interest in Zozobra on June 19th, 1964 to The Kiwanis Club of Santa Fe, which retains exclusive copyright and Trademark to the figure. Thus Kiwanis continues the Zozobra tradition, and as a major fund raiser has become a great way for Santa Feans to participate in community service.
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Each
year The Kiwanis Club of Santa Fe
stages the burning of Will Shuster's
Zozobra, kicking off the annual Fiestas
de Santa Fe on the weekend following
Labor Day. Zozobra centers around
the ritual burning in effigy of Old
Man Gloom, or Zozobra, to dispel the
hardships and travails of the past
year. In 2001, Zozobra attracted over
32,000 spectators to view the conflagration
ritual and fireworks show at dusk.
The Fiestas celebration began in 1712
to celebrate an expedition by Don
Diego de Vargas, who reconquered the
the territory of New Mexico. Zozobra
became part of the Fiestas in 1926,
and the Kiwanis club began sponsoring
the burning in 1963 as its major fundraiser.
Local artist William Howard Shuster,
Jr. - "Will" (1893-1969) conceived
and created Zozobra in 1924 as the
focus of a private fiesta at his home
for artists and writers in the community.
His inspiration for Zozobra came from
the Holy Week celebrations of the
Yaqui Indians of Mexico; an effigy
of Judas, filled with firecrackers,
was led around the village on a donkey
and later burned. Shuster and E. Dana
Johnson, a newspaper editor and friend
of Shuster's came up with the name
Zozobra, which was defined as "anguish,
anxiety, gloom" or in Spanish for
"the gloomy one."
The
effigy is a giant animated wooden
and cloth marionette that waves
its arms and growls ominously at
the approach of its fate. A major
highlight of the pageant is the
fire spirit dancer, dressed in a
flowing red costume, who appears
at the top of the stage to drive
away the white-sheeted "glooms"
from the base of the giant Zozobra.
The fire dance was created by Jacques
Cartier, a former New York ballet
dancer and local dance teacher,
who performed the role for 37 years.
His dance student, James Lilienthal
took over the fire spirit role in
1970 and has continued it for 32
years.
Shuster constructed the figure of
Zozobra until 1964, when he gave
his detailed model to the Kiwanis
Club to continue the tradition.
Over the years the effigy has grown
larger, reaching a height of 49
feet in 2001. Zozobra is a well
crafted framework of preplanned
and pre-cut sticks, covered with
chicken wire and yards of muslin.
It is stuffed with bushels of shredded
paper, which traditionally includes
obsolete police reports, paid off
mortgage papers, and even personal
divorce papers.
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Zozobra
Head Costruction, 2001.
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Zozobra
Paint Night, 2001.
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The
festival is so popular that children
arrive in the park in the morning
to watch Zozobra's assembly.
Spectators, who have paid a nominal
fee to watch the event, continuously
roar, "Burn him," until Zozobra
is destroyed. Since 1952, the show
has raised over $300,000, which
the Santa Fe Downtown Kiwanis Foundation
has used to provide college scholarships,
fund local youth projects and camp
fees for physically challenged children.
Construction of the Zozobra figure
and staging the event normally takes
place within a three-week period.
It is a labor intensive affair requiring
over 3,500 volunteer hours. It involves
a significant contribution of time,
effort and energy from Kiwanis members,
some of whom have been staging Zozobra
for many years. Planning the event
is a year round activity and is
done in cooperation with the City
of Santa Fe and the Santa Fe Fiesta
Council.
The
Zozobra Event will be held this coming
year on Thursday, September 9th,
2004.
A
description of the first public Zozobra
burning appears in the September 2,1926,
edition of the Santa Fe New Mexican:
Following
vespers at the Cathedral, a long
procession headed by the Conquistadores
Band marched to the vacant space
back of the city hall, where Zozobra,
a hideous effigy figure 20 feet
high, produced by the magic wand
of Will Shuster, stood in ghastly
silence illuminated by weird green
fires. While the band played a funeral
march, a group of Kiwanians in black
robes and hoods stole around the
figure, with four others seated
before the green fires.
When
City Attorney Jack Kennedy on behalf
of the absent Mayor, solemnly uttered
the death sentence of Zozobra, with
Isadoro Armijo as interpreter, and
fired several revolver shots at
the monster, the green fires changed
to red, the surrounding ring of
bonfires was ignited, red fires
blazed at the foot of the figure
and shortly a match was applied
to its base and leaped into a column
of many colored flames.
As
it burned the encircling fires blazed
brighter, there was a staccato of
exploding fireworks from the figure
and round about, and throwing off
their black robes the spectators
emerged in gala costume, joining
an invading army of bright-hued
harlequins with torches in a dance
around the fires as the band struck
up "La Cucaracha." Following which
the crowd marched back between bonfires
lining the streets to the armory
and the big baile was on. It brought
out the biggest crowd of native
merrymakers seen here for years....
For more interesting articles on the history of Zozobra and the
Fiesta De Santa Fe, try these links:
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Zozobra
burns, 1988.
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Zozobra
burning, 1996.
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The Burning •
El Pasatiempo •
Las Fiestas •
Legacies •
Kiwanis History
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